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Dunkirk and Valerian

FSUTribe76

Veteran Seminole Insider
Jan 23, 2008
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I saw both over the weekend and have to say that I highly enjoyed both.

Valerian has apparently "bombed" which on the one hand stinks as that's one more notch against quasi original IPs (it is based on some obscure French comic book but other than knowing that the Fifth Element was somewhat based on it). But, I really, really enjoyed it. The movie is not without its flaws which is why the critics have bagged on it as 1) the storyline is very simple, so simple a five year old can follow it but I don't think this is necessarily a bad thing and 2) both of the lead actors are TERRIBLE especially the chick from Suicide Squad. But having complained about the actors and the simple storyline, it is still a great movie because 1) the special effects are mindblowingly good. Other than maybe Dr Strange or Guardians of the Galaxy, this is the best looking movie I've seen and the reality is I'm being generous to the two older movies. I think if I saw them head to head Valerian would win. And 2) the action sequences are top notch with stunningly bright and vivid details.

Of course the best indicator about whether you will love Valerian is whether you at least liked Fifth Element. They both are visual feast with great action although Valerian obviously surpasses it now but both have a "wink wink" sense of over the top fun and whimsy that some people simply do not like as it's not "realistic". But if you want an unrealistic but amazingly beautiful action flick and don't mind looking past some "actors" obviously trained in the George Lucas and Starship Troopers College of acting, then this is the best movie of the summer.

Dunkirk was also enjoyable but for different reasons and had its share of flaws. The acting was definitely better in Dunkirk than in Valerian but everything was one note. Characters were either stoic "stiff upper lip" Limey characters of British legend (the RAF pilots and civilian boat crews or cowards who spent their onscreen time running away (basically every army soldier who has more than two seconds of screentime). So it's not a particularly deep movie from a story perspective, it's a bunch of shallow one note characters in a simple straight line plot (and before people chime in and say that's all war movies, I would say both Fury and Saving Private Ryan have character arcs for numerous characters and not everyone is a simple cookie cutter cutout and some characters even grow). Some of the people who actually served in the military may even hate that at least half the movie if not more is devoted to cowards who desert their posts and lie and cheat their way to the front of the escape lines. I THINK we're supposed to side with the cowards and say "that's what I'd do", but even I found it disrespectful to the military men (obviously there ARE cowards and it would be unrealistic not to show one or two, but as I said half the movie is devoted to deserters who spend the entire movie running away selfishly while others die who could be helped. Only one character stops for even a couple of seconds to do a "heroic" act of opening a hatch on a sinking boat so his friend can escape.

Another major problem with Dunkirk is that the cowards don't look significantly different enough that under the smoke and grime makeup and wearing identical uniforms it was tough to tell who was who. It's this overlooked casting problem that made Band of Brothers great (where every character has a unique look and accent/voice and you can remember what each character is doing) and what severely hurt The Pacific (too many "Hollywood classically handsome" average height, thin/athletic runner types with medium brown hair and brown eyes running around with similar Midwestern/Classic American voices so that I had no clue who was doing what from week to week and confused everyone). Another major flaw in my mind is the unrealistic lack of gore. I don't mean gore on the level of a slasher horror film or even the overdone levels of gore during Hacksaw Ridge some of which bordered on slasher levels (the running around using a fellow soldier's blown up torso as a shield and the Evil Deadesque half dead soldiers coming alive and screaming in the face of other soldiers unexpectedly), I just mean it doesn't have the realistic gore of Fury, Band of Brothers or Saving Private Ryan. Everyone dies old school Hollywood propaganda war movie style either silently falling down when their shirt gets a bloodless hole in it or being thrown through the air intact to land without blood or whimper.

Finally another complaint I had was that there wasn't enough "downtime". Just like Blackhawk Down, there's no relief from the constant threats/suspense so after awhile you become numb to the bullets and threats of death. A great movie like Fury and Saving Private Ryan needs some quiet downtime for the audience to get to know the characters and for the actors to bring out whatever is happening below the surface. Just like Blackhawk Down, there's no getting to know characters or seeing them emote and no chance for the audience to decompress before new threats are thrown at you.

So what was good about Dunkirk? The acting was good for the most part. The half about the RAF and civilian boats are both very inspiring stories. And the air combat was nicely done, on par with some of the best. The editing was handled well.

Honestly they were both good movies and both well worth seeing. I think that Dunkirk had more flaws than Valerian despite the substantially higher critic scores for some reason and I personally enjoyed Valerian more. But having said that, if you don't like the Fifth Element you will not enjoy Valerian. And if you don't like war movies then Dunkirk is DEFINITELY not the one to make you change your mind.
 
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I can't wait to see Valerian in 3D........I'm going with a friend that has never seen a movie in 3D, it should blow his mind.

I should have said before that Valerian is well worth seeing in 3D. 3D is an overused gimmic and it usually either 1) adds nothing of substance to the quality of the music or 2) makes the movie even worse by darkening everything up. But there's been exactly three movies that are FANTASTIC in 3D and which really benefits from seeing them in that format. The best 3D movie was Tron legacy. The real world is flat and cinematic with normal movie color palates and the game world is in eyepopping three D with vibrant colors so it really helped setting the tone and sense of place. The second best 3D movie is Valerian and the third best was Avatar.
 
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Dunkirk was also enjoyable but for different reasons and had its share of flaws. The acting was definitely better in Dunkirk than in Valerian but everything was one note. Characters were either stoic "stiff upper lip" Limey characters of British legend (the RAF pilots and civilian boat crews or cowards who spent their onscreen time running away (basically every army soldier who has more than two seconds of screentime). So it's not a particularly deep movie from a story perspective, it's a bunch of shallow one note characters in a simple straight line plot (and before people chime in and say that's all war movies, I would say both Fury and Saving Private Ryan have character arcs for numerous characters and not everyone is a simple cookie cutter cutout and some characters even grow). Some of the people who actually served in the military may even hate that at least half the movie if not more is devoted to cowards who desert their posts and lie and cheat their way to the front of the escape lines. I THINK we're supposed to side with the cowards and say "that's what I'd do", but even I found it disrespectful to the military men (obviously there ARE cowards and it would be unrealistic not to show one or two, but as I said half the movie is devoted to deserters who spend the entire movie running away selfishly while others die who could be helped. Only one character stops for even a couple of seconds to do a "heroic" act of opening a hatch on a sinking boat so his friend can escape.

I agree with you for the most part...but to me this was more of a feature than a bug. I think Nolan is a genius filmmaker in many ways, but I actually think he is a bit weak on characters and motivation. I don't think he has a real knack for bringing emotions to the screen and creating empathy for characters. To me, this film basically excised his weakest point as a director in favor of his considerable strengths.

Another major problem with Dunkirk is that the cowards don't look significantly different enough that under the smoke and grime makeup and wearing identical uniforms it was tough to tell who was who. It's this overlooked casting problem that made Band of Brothers great (where every character has a unique look and accent/voice and you can remember what each character is doing) and what severely hurt The Pacific (too many "Hollywood classically handsome" average height, thin/athletic runner types with medium brown hair and brown eyes running around with similar Midwestern/Classic American voices so that I had no clue who was doing what from week to week and confused everyone).

I could not agree with you more strongly here, and it just got tougher as the movie went on. I think it's probably defensible to some extent as being more realistic and adding to the fog of war, rather than the cliche of having the southern redneck, the aw shucks cowboy from out west, the little Italian loudmouth from Brooklyn, the "black guy", the huge but dumb farm boy, etc. But it made for a difficult viewing experience at times.

Another major flaw in my mind is the unrealistic lack of gore. I don't mean gore on the level of a slasher horror film or even the overdone levels of gore during Hacksaw Ridge some of which bordered on slasher levels (the running around using a fellow soldier's blown up torso as a shield and the Evil Deadesque half dead soldiers coming alive and screaming in the face of other soldiers unexpectedly), I just mean it doesn't have the realistic gore of Fury, Band of Brothers or Saving Private Ryan. Everyone dies old school Hollywood propaganda war movie style either silently falling down when their shirt gets a bloodless hole in it or being thrown through the air intact to land without blood or whimper.

Hmmm. What you say is true, but I don't have a problem with it I don't think. I do think war movies have gotten almost pornographic with their violence in trying to show the horrors of war. I think a different approach is ok, especially if you're trying to keep focus on other themes. And I think there's something to be said about a war movie you can take a 10 year old to.

Finally another complaint I had was that there wasn't enough "downtime". Just like Blackhawk Down, there's no relief from the constant threats/suspense so after awhile you become numb to the bullets and threats of death. A great movie like Fury and Saving Private Ryan needs some quiet downtime for the audience to get to know the characters and for the actors to bring out whatever is happening below the surface. Just like Blackhawk Down, there's no getting to know characters or seeing them emote and no chance for the audience to decompress before new threats are thrown at you.

I didn't really feel that way, but again, probably because I was ok not getting to know the characters better. I also appreciated him having the discipline to bring the movie in under two hours, which is a necessity if you're going to try to keep the tension level up without being exhausting.

So what was good about Dunkirk? The acting was good for the most part. The half about the RAF and civilian boats are both very inspiring stories. And the air combat was nicely done, on par with some of the best. The editing was handled well.

Agree. I'm really highly about the narrative of a film, I'm not usually one to highly consider the visual elements if the story doesn't really move me. This was an exception. I was lucky enough to see this on 70MM Imax, and to me it really was immersive and impressive, especially the air combat. I would probably say the air combat was the best I've seen in a movie of making you feel like what it might be like, rather than looking like a video game.

I'm a little bit ambivalent about the structure. I like the idea, but I can't decide if they should have made it a little more clear how the chronologies worked together. I felt like I spent too much time trying to figure out the way the pieces fit, and was sometimes wrong, which may have detracted a bit from the movie and taken me out of it a bit. I think it really is an immersive, experiential movie...not sure having my brain working in the background trying to reassemble it as it went was ideal. I'm not totally down on it, and it's really in Nolan's wheelhouse and he nails the execution, but maybe it was a trick a bit out of place in this particular film.
 
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Thanks for the reviews, Dunkirk sounds like a mixed bag but still worth seeing.

Tribe, I agree with you on Fury. I think it's one of the most underrated war films and like it more than SPR. I also think Brad Pitt doesn't get enough credit for his acting skills.
 
Tribe, I agree with you on Fury. I think it's one of the most underrated war films and like it more than SPR. I also think Brad Pitt doesn't get enough credit for his acting skills.

Completely concur with you guys..........I loved Fury and probably watched it 30 times when it was on one of the movie channels.
 
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totally unrelated, other than you mentioned it, but Band of Brothers may be my favorite "war" series- movie or TV- ever.
 
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For me the bottom line for Dunkirk is that I can't imagine watching it again. I watch BoB every year if surfing channels I come across Pvt Ryan or any number of war movies I watch until the end. Don't see me doing that for Dunkirk.
 
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For me the bottom line for Dunkirk is that I can't imagine watching it again. I watch BoB every year if surfing channels I come across Pvt Ryan or any number of war movies I watch until the end. Don't see me doing that for Dunkirk.

Really? I want to see it again. Maybe twice will be enough.
 
Really? I want to see it again. Maybe twice will be enough.

Same here...I'll watch it once more, and once more only. I normally only rewatch a movie if I absolutely love it...I just don't do repeat viewings of almost anything. Some of my favorite movies I've seen 2-3 times.

However, I'm interested in watching Dunkirk once more with the understanding of how the pieces fit together from the start.
 
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I saw Valerian and enjoyed it. Fifth Element/GOTG/Avatar vibe to it. If you like those movies you should like Valerian.
 
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totally unrelated, other than you mentioned it, but Band of Brothers may be my favorite "war" series- movie or TV- ever.
Same here. I own the Pacific, but keep forgetting that I do. I need to watch the darn thing one of these days.

That said, I liked Dunkirk, but it was a different type of "war movie". There wasn't much in the way of storytelling or character development...mostly done through a painfully intense score (or whatever the heck that was) and visuals. I liked it, but I'm not sure I'd watch it again like I would SPR or BoB.
 
I saw both over the weekend and have to say that I highly enjoyed both.

Valerian has apparently "bombed" which on the one hand stinks as that's one more notch against quasi original IPs (it is based on some obscure French comic book but other than knowing that the Fifth Element was somewhat based on it). But, I really, really enjoyed it. The movie is not without its flaws which is why the critics have bagged on it as 1) the storyline is very simple, so simple a five year old can follow it but I don't think this is necessarily a bad thing and 2) both of the lead actors are TERRIBLE especially the chick from Suicide Squad. But having complained about the actors and the simple storyline, it is still a great movie because 1) the special effects are mindblowingly good. Other than maybe Dr Strange or Guardians of the Galaxy, this is the best looking movie I've seen and the reality is I'm being generous to the two older movies. I think if I saw them head to head Valerian would win. And 2) the action sequences are top notch with stunningly bright and vivid details.

Of course the best indicator about whether you will love Valerian is whether you at least liked Fifth Element. They both are visual feast with great action although Valerian obviously surpasses it now but both have a "wink wink" sense of over the top fun and whimsy that some people simply do not like as it's not "realistic". But if you want an unrealistic but amazingly beautiful action flick and don't mind looking past some "actors" obviously trained in the George Lucas and Starship Troopers College of acting, then this is the best movie of the summer.

Dunkirk was also enjoyable but for different reasons and had its share of flaws. The acting was definitely better in Dunkirk than in Valerian but everything was one note. Characters were either stoic "stiff upper lip" Limey characters of British legend (the RAF pilots and civilian boat crews or cowards who spent their onscreen time running away (basically every army soldier who has more than two seconds of screentime). So it's not a particularly deep movie from a story perspective, it's a bunch of shallow one note characters in a simple straight line plot (and before people chime in and say that's all war movies, I would say both Fury and Saving Private Ryan have character arcs for numerous characters and not everyone is a simple cookie cutter cutout and some characters even grow). Some of the people who actually served in the military may even hate that at least half the movie if not more is devoted to cowards who desert their posts and lie and cheat their way to the front of the escape lines. I THINK we're supposed to side with the cowards and say "that's what I'd do", but even I found it disrespectful to the military men (obviously there ARE cowards and it would be unrealistic not to show one or two, but as I said half the movie is devoted to deserters who spend the entire movie running away selfishly while others die who could be helped. Only one character stops for even a couple of seconds to do a "heroic" act of opening a hatch on a sinking boat so his friend can escape.

Another major problem with Dunkirk is that the cowards don't look significantly different enough that under the smoke and grime makeup and wearing identical uniforms it was tough to tell who was who. It's this overlooked casting problem that made Band of Brothers great (where every character has a unique look and accent/voice and you can remember what each character is doing) and what severely hurt The Pacific (too many "Hollywood classically handsome" average height, thin/athletic runner types with medium brown hair and brown eyes running around with similar Midwestern/Classic American voices so that I had no clue who was doing what from week to week and confused everyone). Another major flaw in my mind is the unrealistic lack of gore. I don't mean gore on the level of a slasher horror film or even the overdone levels of gore during Hacksaw Ridge some of which bordered on slasher levels (the running around using a fellow soldier's blown up torso as a shield and the Evil Deadesque half dead soldiers coming alive and screaming in the face of other soldiers unexpectedly), I just mean it doesn't have the realistic gore of Fury, Band of Brothers or Saving Private Ryan. Everyone dies old school Hollywood propaganda war movie style either silently falling down when their shirt gets a bloodless hole in it or being thrown through the air intact to land without blood or whimper.

Finally another complaint I had was that there wasn't enough "downtime". Just like Blackhawk Down, there's no relief from the constant threats/suspense so after awhile you become numb to the bullets and threats of death. A great movie like Fury and Saving Private Ryan needs some quiet downtime for the audience to get to know the characters and for the actors to bring out whatever is happening below the surface. Just like Blackhawk Down, there's no getting to know characters or seeing them emote and no chance for the audience to decompress before new threats are thrown at you.

So what was good about Dunkirk? The acting was good for the most part. The half about the RAF and civilian boats are both very inspiring stories. And the air combat was nicely done, on par with some of the best. The editing was handled well.

Honestly they were both good movies and both well worth seeing. I think that Dunkirk had more flaws than Valerian despite the substantially higher critic scores for some reason and I personally enjoyed Valerian more. But having said that, if you don't like the Fifth Element you will not enjoy Valerian. And if you don't like war movies then Dunkirk is DEFINITELY not the one to make you change your mind.
It's posts like these that remind me that everyone has and is entitled to his/her own opinion. I appreciate the write up on both films and as a result, might actually see Valerian now. Was a big fan of 5h Element. Where I strongly disagree is on the OP's review of Dunkirk.

Saw it over the weekend and I could not stop talking about this movie and recommending it to family and friends. Thought the movie, start to finish, was incredible and probably the best war movie I've ever seen, definitely in the top 3. Within the first minute until the closing credit the tension and "edge of your seat" feeling was purposeful and extremely well done. Found it interesting how little dialogue there actually was in the movie but realized Nolan wanted the action, film settings and tension to do the talking.

I started to get a little annoyed because virtually every soldier looked identical to the next then realized that must have also been purposefull. I think Nolan wanted to make the audience believe the feelings and emotions expressed by the actors could be the same for any and every one of them; no mater who the character was.

For me, this was one of the few films I've ever seen that I was ready to see the next showing immediately after walking out of the last one.
 
Saw Dunkirk last night, bit of a disappointment. The annoying thing for me was the soundtrack, it just never seemed to even pause in the movie. Not sure if the mixing was bad but it was too dominating, even going through and muddling the dialogue. The weird thumping, the demonic strings bit, that was more distracting to us, just the shrieking sound and image of a Stuka diving down creates enough tension for me, thanks. Using Zimmer was a poor choice in my opinion, acting and dialogue ok, but the best part was the dogfights. Thanks for the tip on Valerian, we will likely check it out, just for the fact we're sci-fi and special effects nuts.
 
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Uh Oh I agree with tribe on something; recommend no one goes outside for a couple of days. Fury was really good. I didn't see it in the theatres because I am not a Tank/Armor guy and not much of a Brad Pitt fan. After watching it was bummed I didn't see it sooner. As far as best of all time I think modern times it is Saving Private Ryan, the first 20 minutes or so is chilling. For a classic it is the Longest Day, take a look at the cast for that movie it is impressive.
 
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It's good, but you have to overlook the old school exaggerated death scenes.

Ditto Godfather 1 & 2. I understand why some people claim they are their favorite movies but the middle school stage play level special effects and death scenes are just terrible and destroy any affection I have for it as someone who saw it decades after it came out.

 
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Ditto Godfather 1 & 2. I understand why some people claim they are their favorite movies but the middle school stage play level special effects and death scenes are just terrible and destroy any affection I have for it as someone who saw it decades after it came out.


Main reason why I turned it off after 30-45 minutes..........and tired to watch it again because one of the movie channels (HBO I think) was showing a Directors Cut of 1 & 2 together as one movie, and still couldn't get through it.
 
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My wife felt the same about the score as hatsbro...kept leaning over saying how terribly annoying it was...enough's enough type thing.
 
I saw Dunkirk today-- my wife and kids watched Despicable Me 3... my wife doesn't like war movies and honestly I'm going to have to watch this one a second time ( not at the theatre though). The problem I had with the movie is the lack of character development and honestly it was hard to tell who was who at times. One thing I would highly recommend is for anyone who watches it be familiar with the background first. What it was, who was involved, and why is it important, etc. that would help a lot--- as I said there is little story telling in this one.

This is one of those movies that I may like more the second time seeing it, but I don't like the lack of story and character development... I can't see that changing a second time.
 
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